I always loved the verve and vivacity of pulp and I kind of merged it with my own interest in family stories.

Ree, brunette and sixteen, with milk skin and abrupt green eyes, stood bare-armed in a fluttering yellowed dress, face to the wind, her cheeks reddening as if smacked and smacked again.

I'm not one of these people who thinks everyone born into privilege should wear sack cloth and ashes. But it's something I wrestle with. I know a lot of people who live below the poverty level and have for a long time and it makes them uneasy to think they'll have to interact with people from different economic levels. Everyone has some sort of load put on them, whatever the circumstances they're born into.

There's an overlap between social-realist fiction and crime fiction - a sweet spot there.

Love and hate hold hands always so it made natural sense that they'd get confused by upset married folk in the wee hours once in a while and a nosebleed or bruised breast might result. But it just seemed proof that a great foulness was afoot in the world when a no-strings roll in the hay with a stranger led to chipped teeth or cigarette burns on the wrist.

He unscrewed the lid, set it on the dash, snorted from the bottle twice, banged the steering wheel, and said, 'You got to be ready to die every day - then you got a chance.'

Gail had a baby named Ned who was four months old, and a new look of baffled hurt, a left-behind sadness, like she saw that the great world kept spinning onward and away while she'd overnight become glued to her spot.