I'd love to do a cop film in America. That's a genre I absolutely adore.

For us, destiny always feels... if you obey, it's almost a passive thing.

There's lots of things that can be solved with cash.

I say to first time filmmakers that when they're asked, they should go to America as you're far more likely to get a chance.

Everybody knows Aaron Sorkin's scripts. There's a huge amount of lines. There's a huge amount of interchange. You gotta do a lot of learning to be able to get it up to pace.

Theres a certain truth that you do end up making the same film again and again so if you vary the genre you have a chance of breaking that cycle.

If I am acting out in any particular way that is harmful to myself - without a shadow of doubt, there is a feeling suppressed under wanting that second candy bar. Often, it is that little voice I haven't paid attention to. It's generally not the adult voice. If I take a moment to address that and figure out what that is, the desire for the candy bar seems to dissipate.