I try to find hope in struggle and resistance in small places as much as I can.

We're trying to tell stories. We're a company that's concerned with global change and the effect of global cinema. We're not simply tied to the very limiting framework of U.S. film-making.

Whole ideology of consumption almost to the point of religion. Whether it's the consumption of entertainment or the consumption around buying things, we're so caught up with our appetites that we don't have a clear distinction about what we need and what we just want. Plus, the decline of trade unions is a factor. When you have powerful unions, you have a working class that is politicized.

Yes, (Bush is a) racist. We all knew that but the world is only finding it out now. As Texas's governor, Bush led a penitentiary system that executed more people than all the other U.S. states together. And most of the people who died from (the) death penalty were Afro-Americans or Hispanics. (Bush) promoted a Conservative program, designed to eliminate everything Americans had accomplished so far in matters of race and equality.

Since 1957, black people have experienced double-digit unemployment - in good times and bad times. Look at the population of African Americans in prison. They represent more than half the population of prisoners in the country, 55 percent of those on death row

Democracy is about criticism. I didn't elect Obama because he's a black; I voted for Obama because he was the right person at the time. Period. The exceptionalism of a black U.S. President is not important to me. It's what he does. And who he has at the table. And what he does to change the world - that's what's important.

There are things that make me excited about what I'm doing: Trouble the Water [the 2008 documentary Glover executive produced] on New Orleans, or something like Soundtrack for a Revolution, about the power of the music of the civil rights movement [which he executive produced in 2009]. Or Bamako, about the African debt crisis, a platform to discuss the experience of people who actually live it. All of these are important ways we can use film as a forum inviting people into a dialogue.