There's a point where art is not subjective, and my example for that is Picasso. If you don't like Picasso, that's your problem.

I love playing bad. But my whole thing is usually villains that don't know that they're evil.

At times, there are misunderstandings [during shooting]. Especially with green screen and not really knowing what it is that you're looking at, you really depend on the director to create that world for you.

Usually when you're working on fight scenes, you don't really feel what's going on physically. It's more when you go back home and you're like, "My god!," and you wear the wounds or bruises with a certain amount of pride.

I consider myself a storyteller, not really even an actor. I consider myself a storyteller.

The whole thing of doing a TV series, I find it very daunting not knowing where the story's going.

You know, the great thing about acting or, indeed, filmmaking in general, is that we're all given a reason to do research. You kind of have to, really, if you want to know what you're doing, but it opens up this whole new understanding.