I resisted the film business as long as I could, because of the big circus act and the amount of money that it costs to make films - I saw my father suffer through that.

Usually when you're working on fight scenes, you don't really feel what's going on physically. It's more when you go back home and you're like, "My god!," and you wear the wounds or bruises with a certain amount of pride.

I seem to play a lot of losers.

I loved painting and drawing for many reasons. One of them was that all it really required was me, a pencil and a pad. It was something I was passionate about, and still am.

At times, there are misunderstandings [during shooting]. Especially with green screen and not really knowing what it is that you're looking at, you really depend on the director to create that world for you.

Also, in my acting, I feel very much like a storyteller, exploring the flaws of the characters that I interpret. I look for the imperfections, and I love a character that is just so flawed.

I love playing bad. But my whole thing is usually villains that don't know that they're evil.