My strangest auditioning experience was when I was reading for a TV show, and right when I started the audition, the casting director left the room and yelled at me from the hallway to keep reading.

I spent so many years of my life as a stage actor and when you do all these plays, a lot of really great plays are very politically driven. They deal with deep social issues, and that's the kind of stuff that I love, as an audience member.

The auditioning process is one in which the actor gets very little information about almost every element of it.

I think I've had my fill of electoral law.

I find that when people get a script, they know within five pages if the writer can write. Once you're five pages in, it doesn't matter whose name is on the cover, you're not even thinking about it.

I think there's a lot of shame in American race relations. There's a lot of suppressed guilt that lashes itself out still. I see that all the time, and whereas opposed to sort of trying to address the issue in an up-front way, they're attacking and thus perpetuating the problem thinking that they're being sophisticated and post-racial, when, in fact, they're being completely regressive.

The exciting thing about today with the Internet, streaming, and YouTube, is you can just go do it. You can go make a short and put it up, and it, very well, may be seen. You can create your own Internet series and just put it out there. It wasn't like that when I was in my 20s. People weren't doing this sort of thing - now they can and they should try it.