I'm increasingly less interested in classic storylines and that arc that we have come to expect.
Danzy SennaItโs funny. When you leave your home and wander really far, you always think, โI want to go home.โ But then you come home, and of course itโs not the same. You canโt live with it, you canโt live away from it. And it seems like from then on thereโs always this yearning for some place that doesnโt exist. I felt that. Still do. Iโm never completely at home anywhere.
Danzy SennaWriting New People I was thinking a lot about the era that I came of age - the 90's. Brooklyn, in particular, this moment when I lived there. The sense of possibility. I was also trying to find a way to write about Jonestown. I had read about it a lot and I had the sense that the story could really start to drive one over the edge.
Danzy SennaI had been really obsessed with Jonestown for a long time - many years - and had read everything there was to read about it, seen all the footage and the documentaries. I found it really chilling in a personal way - the question of people submitting all their personal power and agency and independent thought it the name of a group or ideology. I could not find a way to write about it directly that didn't feel too heavy.
Danzy SennaI wrote the first draft of the New People quickly but it had been percolating a lot longer. It's a hard question to answer because I'd been working on another novel for years and when I gave up on that, this one came very easily. But I think the work had been going on a lot longer than the actual writing.
Danzy SennaI find myself speaking through the other characters, putting ideas in their voices and heads. Writing almost becomes a splitting of myself into multiple personalities. But I don't write to make an argument on behalf of any of the characters, or to prove anything about a character. I think that's important that I be serving the story first and not my own point of view.
Danzy Senna