In terms of music, each novel is different but I usually find my way into an era through the music. In this novel the New People, I listened to a lot of 90s hip-hop, which was just so genius. Also, all the musical references in the book from the Peoples Temple one and only album to Luther Vandross.

I find myself speaking through the other characters, putting ideas in their voices and heads. Writing almost becomes a splitting of myself into multiple personalities. But I don't write to make an argument on behalf of any of the characters, or to prove anything about a character. I think that's important that I be serving the story first and not my own point of view.

I had been really obsessed with Jonestown for a long time - many years - and had read everything there was to read about it, seen all the footage and the documentaries. I found it really chilling in a personal way - the question of people submitting all their personal power and agency and independent thought it the name of a group or ideology. I could not find a way to write about it directly that didn't feel too heavy.

It’s funny. When you leave your home and wander really far, you always think, ‘I want to go home.’ But then you come home, and of course it’s not the same. You can’t live with it, you can’t live away from it. And it seems like from then on there’s always this yearning for some place that doesn’t exist. I felt that. Still do. I’m never completely at home anywhere.

I'm increasingly less interested in classic storylines and that arc that we have come to expect.

I'm felt I was writing about love and desire and community and belonging and grief and a whole host of other issues. But race is never far from the surface.

I guess the subject of race is so natural to me I never think of it as hefty. It's something I talk about and joke about and discuss with my loved ones every day of my life.