It's just that you don't have to bring it to every stage. You can do a fundraiser for people that you support. You don't necessarily have to talk about one thing or another when you're on your own.

What happened on "As Cool As I Am" was, you know how in the `90s, "the personal is political, the political is personal"? That was a really big thing. Choices you made about how you recorded and what instruments you used and how much real versus how much synthetic. Those were choices that were seen as very political at the time.

I really lucked out with that song ["As Cool As I Am"]. Men were becoming much more comfortable with all the different facets and parts of their identity, including their gentler, funnier, sillier, nurturing parts. They started showing up. There was so much exploration of gender at that time. Women were showing up with the range of ways of being female in the world and men were showing up with the range of being male in the world.

Every once in a while I check and I say, do I still believe in God? And the answer is absolutely yes. And then I think, I suppose I should go to church now. But after going to so many churches in my life and trying to go with the flow with so many denominations, Eastern and Western, I don't really feel I need to go to church at all.

I'm amazed at the adolescent nature of some of the religious fanatics in our government. And they're full of double standards.

There's tons of anger and angst and peculiarity and eccentricity, and good towns know that that's okay. But towns that are kind of bullshit don't know what to do with all those feelings.

There's the wind And the rain And the mercy of the fallen Who say, "Hey, it's not my place To know what's right" There's the weak And the strong And the many stars that guide us We have some of them inside us