Without psychology, the horror film doesn't exist.

If you make a film normally it's all right, the distributors are helpful and cooperative. But if you make a film that's a little stange, a little bizarre, then all the time it's a struggle with them.

In each of my characters there is a little of me. Not strictly autobiographical but a little piece of my soul.

This is my life - I want to tell stories. There is something huge inside me that pushes me to tell stories, and tell stories for an audience and everybody.

I used a Luma crane, a wounderful device; it makes the camera able to go anywhere. It was also used on Friday the 13th Part 3.

But you know, as you say, the original versions of my films are getting out there, slowly.

The psychiatrists examine you and ask you about your life and work, and then they decide whether your film can be shown or not. It's a horrible experience.