Classical scores go up and down; they're kind of hysterical in a way. And movie scores are much more - they just drive and move forward, and they build and can't go up and down at that same speed. It's a big job to turn that into something that pushes the movie along.

I've spent a life loving women and studying them as much as I can, or am allowed to.

Now there is so much expertise and brainpower it's hard to be at the cutting edge of what's cool and not do something that's totally geeky.

Comic books and graphic novels are a great medium. It's incredibly underused.

I don't think I make genre films. I think studios try to sell films as genres because they know how to do that. There's nothing wrong with that. I don't know what I make. It's sort of a pot roast, all my films.

My god is narrative filmmaking.

My hope is that I'm going to continue to make more and more challenging work that's going to come out more and more interesting. I don't know if that will always continue to happen, but every one of my films has definitely been a progression as far as complexity of narrative, character, and plot.