When you're writing fiction it's a heightened voice. You're trying to cast a spell, which isn't the same thing as trying to cast someone into it. You are creating a reality but it's a different sort of performance.

Obama can't be everything to everyone. He changed. He did. I never thought I'd hear Obama say, "Let's go back to nuclear arms," but he did. In the meantime, the clear and present danger is the Republicans in the Senate. A lot of politics isn't heroic, it's as day-to-day as our lives themselves. We always want to make the Byronic choices, but Byron himself was not Byronic all the time either.

Criticism shouldn't be a performance that upstages the work it's talking about.

The point of Berlin was that it seemed that only people like you ran the city. You never ran into people who weren't like you - especially when you lived as that kind of American in Berlin connected to the arts.

When you are writing the kind of criticism you hope you're writing, everything depends on keeping your calm or your cool. You're trying to tell someone about something that they may know nothing about. They depend on you to read or interpret as best as you can.

When you're writing fiction it's a heightened voice. You're trying to cast a spell, which isn't the same thing as trying to cast someone into it. You are creating a reality but it's a different sort of performance.

I think that the Vietnam War era is important because we tend not to want to revisit it. For black people, there was the temptation of disaffection. People looked for alternative ways to express themselves personally and politically, people doubted the system, and there was the terrible kind of division in black America between a radical leadership and a much older, compromising leadership.