When you're writing fiction it's a heightened voice. You're trying to cast a spell, which isn't the same thing as trying to cast someone into it. You are creating a reality but it's a different sort of performance.

People from Europe and people from Africa encountered one another long before the invention of "Europe" and "Africa" and "white people" and "black people."

It's not true that voting doesn't make a difference. To check out is political suicide. This is especially true for our young black artists. You don't want to inadvertently end up doing someone's bidding.

Hillary certainly needs the black vote, and Democrats need it. She's not doing anything too soon; she's raising her money and not wanting any issues to come back and bite her later. The black vote will be crucial for Hillary and so will the women's vote.

As for the not-black black president issue - white people can imagine blacks worse off than them, no problem. And now they can imagine blacks better off, no problem. But they still can't imagine black people who are just like them. That's the real problem. That's racism. Not being able to believe that those others are actually just like you.

In her excellent, entirely readable Richard Wright, Hazel Rowley accomplishes what [previous biographer] Michel Fabre would have liked to do with once-guarded letters, aging witnesses, previously unidentified girlfriends. . . . Mostly, Rowley concentrates on telling Wright's very powerful story.

I can see Obama trying to be the president who suggests solutions for everyone who has experienced economic hardship.