After the Second World War, I returned to California to study composition with Darius Milhaud, who wrote wonderful works like 'Le Boeuf sur le Toit' and 'La Cretion du Monde.' I especially enjoy his work for two pianos, 'Scaramouche.

My mother Elizabeth Ivey Brubeck was a pianist who studied with Dame Myra Hess and Tobias Matthey. As a child in California I used to listen to her play Chopin.

There are a lot of people on the lowest rung of Jacob's Ladder, and we must somehow reach down, give them a hand, and make them want to climb. A little really good music never hurt anyone. And when people are given good music they can grow spiritually and even discover they like it.

I never wanted this kind of life that Im still living.

Many people don't understand how disciplined you have to be to play jazz... And that is really the idea of democracy - freedom within the Constitution or discipline. You don't just get out there and do anything you want.

I have more energy at the end than I do at the beginning. You can be so beat up that you can scarcely walk on stage but when you get to the piano the excitement kicks in, you forget about being tired.

I knew I wanted to write on religious themes when I was a GI in World War II. I saw and experienced so much violence that I thought I could express my outrage best with music.