Over the years I've had strong friendships with many priests. As a matter of fact, a group of Christian leaders from the National Council of Churches came to my house in the 1950s to ask me to write music for a Mass. I didn't think I was ready at that time. So, in a sense, I guess joining the church and writing the Mass was a culmination of a long journey that is still going on.

I wasn't allowed to play in some universities in the United States and out of twenty-five concerts, twenty-three were canceled unless I would substitute my black bass player for my old white bass player, which I wouldn't do.

Do you think Duke Ellington didn't listen to Debussy? Louis Armstrong loved opera, did you know that? Name me a jazz pianist who wasn't influenced by European music!

Duke Ellington, Art Tatum, and many other great jazz musicians objected to their music being called jazz. While the outside world may want to put a label on it, those who create it think of it just as music, and tend not to classify it.

The use of rock, folk, or pop music serves a purpose. It gets people into the church. But an inexperienced guitar player who doesn't have much to say, for example, can make me wish to leave the church immediately, whereas one great jazz or classical guitarist can confirm that I will have a spiritual experience in the church.

When I was first aware that I couldn't read music I didn't know I couldn't read because I could play the music that was in front of me.

The worst thing about the life of a jazz musician on the road is getting to the gig. Once you're there and playing, it's marvelous.