I was always very aware of drummers. My oldest brother Henry was a drummer, and he drummed on everything in the house from the kitchen sink to stovepipes. He was the first drummer in the Gil Evans Orchestra, so you've got to know how great he was.

I knew I wanted to write on religious themes when I was a GI in World War II. I saw and experienced so much violence that I thought I could express my outrage best with music.

The source of inspiration can be any of the things:deep emotional experiences - say, romantic love or spiritual contemplation.I think such rare moments come only when you have total concentration. You are consumed in and by the music. I guess you could say that it is akin to contemplation. In order to reach this desirable state of mind you have to rise above the environment you're in at that particular time - a bad piano, glaring stage lights, or the attitude of the audience. Sometimes the inspiration of the other musicians you're playing with helps you reach this stage.

Do you think Duke Ellington didn't listen to Debussy? Louis Armstrong loved opera, did you know that? Name me a jazz pianist who wasn't influenced by European music!

I started growing up in a hurry and taking a lot of the philosophy I'd heard from church as a kid a lot more seriously - especially the Ten Commandments - and wondering how 'Thou shalt not kill' could be so absolutely ignored. It took me until I was in my 40s to write what I was thinking as a young soldier.

My own Brubeck Institute in California is turning out fantastic young jazz players, and I know great things will happen.

Duke Ellington, Art Tatum, and many other great jazz musicians objected to their music being called jazz. While the outside world may want to put a label on it, those who create it think of it just as music, and tend not to classify it.