I listen to boy band music before I have to fire someone.

A musician should only sound like what they do, and no two musicians sound the same. It's an individual-feel thing, you know?

CBGB represents a lot to New York City and to underground rock and to new wave and post-punk and whatever. But, you know, it's like tearing down the Jefferson Memorial or something.

A lot of the records you buy, there's nothing you can hold in your hand, it's all 1′s and 0′s, this digital cloud floating in the ether, but with analog albums, you can hold it in your hand.

Most people don't take some things into consideration. When they hear an album, they hear the artist or they hear the lyric or they hear the melody. But they don't really think about the environment in which it was recorded, which is so important. It's that thing that determines what the album sounds like.

I owe everything to Nirvana. But I can't let that overshadow the future. For the first few years, I didn't even want to talk about Nirvana. Partly because it was just painful to talk about losing Kurt but also because I wanted the Foo Fighters to mean something.

Just the other day someone threw a bra duct-taped to a tennis ball. I just stood there, playing guitar, thinking how this was totally premeditated. Some girl sat around inventing a way to get her bra onstage from 40 rows back.