I'm not into albums that are meant to sound perfect.

The late '60s and the '70s, a lot of this really beautiful equipment was being made and installed into studios around the world and the Neve boards were considered like the Cadillacs of recording consoles. They're these really big, behemoth-looking recording desks; they kind of look like they're from the Enterprise in Star Trek or something like that. They're like a grayish color, sort of like an old Army tank with lots of knobs, and to any studio geek or gear enthusiast it's like the coolest toy in the world.

Most people don't take some things into consideration. When they hear an album, they hear the artist or they hear the lyric or they hear the melody. But they don't really think about the environment in which it was recorded, which is so important. It's that thing that determines what the album sounds like.

When there's so much left to do, why spend your time focusing on things you've already done, counting trophies or telling stories about the good old days?

Nickelback walks into a bar...there's no punchline because ruining music isn't funny.

I mean, I never liked being told what to do. It's one of the reasons I dropped out of school. Give me something to assemble, I won't look at the directions, I'll try to figure it out by myself. It's why I love Ikea furniture.

Just the other day someone threw a bra duct-taped to a tennis ball. I just stood there, playing guitar, thinking how this was totally premeditated. Some girl sat around inventing a way to get her bra onstage from 40 rows back.