That's the beautiful thing about the saxophone. It can peacefully coexist with just about anything - whether it's hip-hop, rap, rock music, pop, R&B or jazz, there's a place for the saxophone in all of those styles.

You have to be willing to get back on that horse and try it again if the mood strikes. That was one of the great pieces of wisdom that I got early on in my career in terms of being blocked. If you get to a creative roadblock, you can sit there and rack your brain.

I would never say no to that [marriage] . It hasn't been my path up to this point. I think it would be nice to look forward to that. Meeting somebody of that caliber of "Yes, I want to spend my life with you." Of course, why not. I love the fact that that is legal in every state.

Some of my best friends have written Broadway shows. Allee Willis and Brenda Russell wrote The Color Purple which has been recently revived on Broadway. That to me is such a different hat that you have to wear, but music is music. A Broadway show is something I would love to have the opportunity to do.

Nowadays, not to say that that doesn't happen, but music is made a lot almost in a laboratory where you get one guy working in one studio, they send the file to another guy in some other part of the world, they send it back and then they send it this way and that way. Musicianship is kind of - there's nothing wrong with that. In fact, some great music is made that way.

Alan Menken, for example, is one of my heroes for all of the music he's written for Disney.

Barry Manilow was very special for me. We've had many collaborations since then and all have been equally rewarding and musical. I've learned so much from him. I like being a student around him; observing him in his environment.