We found that if you played a bunch of punk singles in a row, people would dance like crazy and then get worn out and go somewhere else in the house. And if you played reggae all the time, people ended up leaning against the walls and nodding their head. But if you mixed it up, the floor got more and more packed, and the energy from the two types of music seemed to feed into each other, and the adrenaline from the punk, and the seductive sway of the reggae seemed to fit together.

When I was a teenager, I wanted to be in a group, or I wanted to work for Greenpeace, or I wanted to be a Buddhist monk. Those were the only three things I really wanted to do. I was doing some sort of soul searching in life.

An America we can be proud of, rather than an America to be embarrassed of. You know it's a sign, when you see American backpackers traveling abroad with Canadian flags on their packs!

I suppose reggae has always been a hopeful way to protest, and just because the world's tragic doesn't mean it's not beautiful.

In the late 60's to the early 70's, I was caught between the hippie and the skinhead movement. I had my hair cut so I didn't look like a straight at a hippie event, and I didn't look like a hippie at a skinhead event. It was a good haircut.

We found that if you played a bunch of punk singles in a row, people would dance like crazy and then get worn out and go somewhere else in the house. And if you played reggae all the time, people ended up leaning against the walls and nodding their head. But if you mixed it up, the floor got more and more packed, and the energy from the two types of music seemed to feed into each other, and the adrenaline from the punk, and the seductive sway of the reggae seemed to fit together.

That's the shame about Miles Copeland; he's evil, but he's got a heart of gold.