[I have] my own view about [Bob] Dylan's Nobel prize. Which is, I'm firmly in the Nay camp. I do think the award is a category error, but that's not why. Not in itself. What bothers me is the perceived status of the categories. If pop lyricists were routinely considered for the prize as are authors and poets, I'd still think it mistaken, but I wouldn't much care. But I am quite certain that Joni Mitchell and Leonard Cohen, for example, both at the very least Dylan's equals as writers, have never been in the running and never will be.

The general sentiment among the Yeas is, no accolade is too high for their man; and the Nobel being, literally, the gold standard among prizes, it is surely his [Bob Dylan] due.

Look, dear! How adorable. When pop music tries its very hardest, it can be almost as good as Sven Hassel.

Without music, there is not the faintest chance [Bob Dylan] words would now be garlanded as they are.

[Bob Dylan] is principally a recording artist, and if he weren't, it is unthinkable he would have had such an impact. He is to be heard first and read second. Well, what about plays, you could reasonably ask. Is [William] Shakespeare not great literature? Yes, obviously: but his work is great literature even to those who have never known it performed. The same is evidently not true of Dylan.

The point is not that [Bob] Dylan doesn't need a Nobel to attest to how good he is (although he doesn't.) It's that pop music, pop music of any kind, doesn't need the Nobel committee to damn it with the faint praise of such an award to its sole chosen representative.

I have seen quite a few folk whom I know to be both fair minded and, as it happens,[Bob] Dylan fans, take up cudgels for this position. To them, it's not necessarily that Dylan doesn't merit the highest honour. It's that he doesn't merit this specific highest honour [Nobel prize], in the way a champion pole vaulter shouldn't be given a medal for the long jump. It is in this group that the Wahey!s are mainly to be found, firing off jests, or mock solemnly reciting Dylan's sillier lyrics as if these are entirely representative of his oeuvre.