The desire to see and the desire to ratify what one has seen are desires at odds with one another, if only because they proceed from separate places in the imagination.

Although every novel is derived directly from another novel, there is really only one novel, the Quixote.

The definition of a limit is essentially his [Cauchy's] creation and is as much of a miracle as those fantastic Swiss clocks of the period in which hundreds of gleaming cogs are made to celebrate not only the time and date but the phases of the moon.

However good an argument in philosophy may happen to be, it is generally not good enough.

For the most part, it is true, ordinary men and women regard mathematics with energetic distaste, counting its concepts as rhapsodic as cauliflower. This is a mistake-there is no other word. Where else can the restless human mind find means to tie the infinite in a finite bow?

Leibniz endeavored to provide an account of inference and judgment involving the mechanical play of symbols and very little else. The checklists that result are the first of humanity's intellectual artifacts. They express, they explain, and so they ratify a power of the mind. And, of course, they are artifacts in the process of becoming algorithms.

More than sixty years ago, mathematical logicians, by defining precisely the concept of an algorithm, gave content to the ancient human idea of an effective calculation. Their definitions led to the creation of the digital computer, an interesting example of thought bending matter to its ends.