I keep writing books about why TV is good. There's nothing more fun to me than steering people toward something that I really loved that I think they might not otherwise see. That's the reason I do what I do.

I'm trying to accept the idea that there's a different definition of what matters now. The rating for James Corden at 12:30 at night doesn't matter as much as the number of hits he gets on YouTube when he goes driving around with Adele. There are old dogs out there doing new tricks, and I got to recognize them.

When Nick At Nite is showing George Lopez, it's not doing what I'm thinking. But yes, I even write in the book about how MeTV went to Vince Gilligan and had him present an evening of his favorite television. So it can be done, but I think it can be done on a really large scale. The television of Dennis Potter, most of it hasn't been seen in this country. And that's just one example - it's a very obscure example. There's plenty of great TV out there. There's more crap - but there's great TV, too.

The idea that you waited for that particular issue to come out, but then you planned your TV viewing for the coming season, it was a completely different world. And I grew up in Fort Lauderdale, so there was a TV critic writing for the Miami Herald, Jack Anderson, that was very influential. Just to read, every morning, somebody who cared about TV as much as I did - they were an adult, and they were clearly being paid for it. That was an "a ha!" moment for me before I was even 10.

"Transparent" is a drama slash comedy series that could, in theory, make the Emmy nominations next year in either of those categories - it's that good.

I keep writing books about why TV is good. There's nothing more fun to me than steering people toward something that I really loved that I think they might not otherwise see. That's the reason I do what I do.

I would not even attempt to do a history of world television. I did a half dozen years where I was a juror at the Banff World Media Festival, and you get the best TV in the world there, and I was astounded at my ignorance. I would be watching a documentary made in Japan, and it was astounding, and I would never have heard of that otherwise. We're seeing more and more imports in the last years, and my dream for the next generation of TV is that somehow we get to tap into all of that.