I think every time I said, "I'm working with Nile [Rodgers]," the reaction was, "Oh, great. I love 'Let's Dance.' " I think that's pretty expected. I'm not sure Nile and I went in consciously not to make "Let's Dance." We just wanted to work together again.

I have to take total control myself. I can't let anybody else do anything, for I find that I can do things better for me. I don't want to get other people playing with what they think that I'm trying to do.

When the musical keyboard was created in the 1970's, you had electronic geeks that had no background in music created these devises and gave them to musicians that had no background in electronics. The result was some of the wierd sounds that came out in the '70s.

Hear this Robert Zimmerman, I wrote a song for you, about a strange young man called Dylan with a voice like sand and glue.

I suppose for me as an artist it wasn't always just about expressing my work; I really wanted, more than anything else, to contribute in some way to the culture that I was living in. It just seemed like a challenge to move it a little bit towards the way I thought it might be interesting to go.

As you get older, the questions come down to about two or three. How long? And what do I do with the time I've got left?

I didn't say that wearing a glamorization of the rock artist was any truer from the other thing.