I think the first experience scared the hell out of me. Within months of my initial marriage [on Angela Bowie], I realized I had done a really naive and rather stupid thing. . . . I don't think either of us had any real resolve about being together. The result was it made me wary of relationships.

There were lots of nightly relationships. But the reason you don't want to make a commitment is not that you're such a freewheeling, adventurous person, it's because you're scared shitless that it will turn out like your mother and father.

My son's full real name is Duncan Zowie Haywood. As a toddler he was called by his second name Zowie. But it was such an identifiable name during the Seventies that if I called him loudly in public places, everyone would turn to stare, so I started calling him Joey to take the pressure off. It has the same sound and number of syllables as Zowie. And Joe stuck for most of his childhood. Now he has reverted to his real name, Duncan. Haywood was my father's name.

I made a more mature approach to industrial music.

Strangely, some songs you really don't want to write.

Tony Visconti and I had been wanting to work together again for a few years now. Both of us had fairly large commitments and for a long time we couldn't see a space in which we could get anything together.

The only time that I've adopted characterization again since that point, for my own albums, has been an album called "Outside" that I did with Brian Eno.