Turn and face the strange.

The only time that I've adopted characterization again since that point, for my own albums, has been an album called "Outside" that I did with Brian Eno.

I'm always amazed that people take what I say seriously. I don't even take what I am seriously.

I really floated around in the '60s, because I felt comfortable with nothing.

Ironically, style doesn't come even closely related to fashion. It's got nothing to do [with clothes].

It always felt like you were trying too hard to look like the audience or something. That whole thing about the artistic integrity, which, of course, I've never bought into - with any artist. It's just not a real thing.

All art is unstable. Its meaning is not necessarily that implied by the author. There is no authoritative voice. There are only multiple readings.