Nature Boy There was a boy A very strange enchanted boy They say he wandered very far, very far Over land and sea A little shy And sad of eye But very wise Was he And then one day A magic day he passed my way And while we spoke of many things, fools and kings This he said to me “The greatest thing You’ll ever learn Is just to love And be loved In return

There's a good television programme called 'Disco 2.' It's quite good but again it's average, average. It's all on a down play. You know we've got this thing in England to be hip is to speak very down - like John Peel. And that just about sums up England. They don't realize when they talk like that, then that is what they represent - absolutely.

And these children that you spit on as they try to change their worlds are immune to your consultations. They're quite aware of what they're going through.

On "Tonight" I think I was torn dreadfully between writing what I wanted to write, but keeping it in a style that would follow up what I had just done. That's where I feel I was untrue to myself as an artist . . . that album and, to a lesser extent, "Never Let Me Down."

My particular thing is discovering what can be done with media and how it can be used. You can't draw people together like one big huge family, people don't want that. They want isolation or a tribal thing.

The truest form of any form of revolutionary left, whatever you want to call it, was Jack Kerouac, E.E. Cummings, and Allan Ginsberg's period. Excuse me but that was where it was at. The hippies, I'm afraid, don't know what's happening.

Trying to tart the rock business up a bit is getting nearer to what the kids themselves are like, because what I find, if you want to talk in the terms of rock, a lot depends on sensationalism and the kids are a lot more sensational than the stars themselves.