The world that I inhabit in reality is probably very different world than the one people expect that I would be in. It is quite sedate. It's far removed from a lot of what they would feel to be the limousine traveling rock existence, or whatever.

I really floated around in the '60s, because I felt comfortable with nothing.

My work is really the accumulation of these different moods that I've had throughout my life and where they've taken me. I start looking back, and I think, I've actually created a life out of all this, out of these changes of mood. They've pushed me through all these years, and I seem to have a semblance of a life, and if I look very carefully, I can see some thematic design to it. There's some continuity.

The name Bowie just appealed to me when I was younger. I was into a kind of heavy philosophy thing when I was 16 years old, and I wanted a truism about cutting through the lies and all that.

Once I've written something it does tend to run away from me. I don't seem to have any part of it - it's no longer my piece of writing.

At no point did I ever doubt I would be as near as anybody could be to England's Elvis Presley. Even from eight or nine years old, I thought, Well, I'll be the greatest rock star in England. I just made up my mind.

I had very deep concerns about my financial status because I found that up until "Let's Dance" I was virtually broke again. I had been so irresponsible in how I dealt with my financial affairs. I take full responsibility for that.