I surrounded myself with people who indulged my ego. They treated me as though I was Ziggy Stardust or one of my characters, never realising that David Jones might be behind it.

Sexuality and where it is going is an extraordinary question, for I don't see it going anywhere. It is with me, and that's it.

I made a more mature approach to industrial music.

I turned myself to face me, but I've never caught a glimpse of how the others must see the faker.

People are always throwing things at me that I've said and I say that I didn't mean anything.

My work is really the accumulation of these different moods that I've had throughout my life and where they've taken me. I start looking back, and I think, I've actually created a life out of all this, out of these changes of mood. They've pushed me through all these years, and I seem to have a semblance of a life, and if I look very carefully, I can see some thematic design to it. There's some continuity.

There's something about the style of living in the country that they feel, "This is what represents me." So style is about the philosophy of how we create our civilization.