She's a total bam bam.

I'm not actually a very keen performer. I like putting shows together. I like putting events together.

I made a more mature approach to industrial music.

For me a chameleon is something that disguises itself to look as much like its environment as possible. I always thought I did exactly the opposite of that.

Sometimes you stumble across a few chords that put you in a reflective place.

A mutual friend knew that we were both [with Iman Abdulmajid] on our own, with broken marriages and with children. We were brought to dinner one night. . . . It was absolutely instantaneous. I couldn't get her out of my mind . . . sleepless nights - real 18-year-old stuff.

I suppose for me as an artist it wasn't always just about expressing my work; I really wanted, more than anything else, to contribute in some way to the culture that I was living in. It just seemed like a challenge to move it a little bit towards the way I thought it might be interesting to go.