When the musical keyboard was created in the 1970's, you had electronic geeks that had no background in music created these devises and gave them to musicians that had no background in electronics. The result was some of the wierd sounds that came out in the '70s.

I'm rather kind of old school, thinking that when an artist does his work it's no longer his.

Rather than really have, like a close relationship to anything that's coming out today, people are just, they've got it on as background music. It's kind of the same way the cabdrivers use music; it's very disposable.

I think fame itself is not a rewarding thing. The most you can say is that it gets you a seat in restaurants.

Everywhere I looked, demons of the future [were] on the battlegrounds of one’s emotional plane.

I think it's rather a waste of time endlessly singing the same songs every night for a year, and it's just not what I want to do.

You can begin really looking for a relationship . . . when you can (appreciate) the whole concept of giving to someone, not just taking.