I'm a phallus in pigtails, and there's blood on my nose, and my tissue is rotting where the rats chew my bones. And my eye sockets empty, see nothing but pain, I keep having this brainstorm about twelve times a day.

I'm looking for backing for an unauthorized auto-biography that I am writing. Hopefully, this will sell in such huge numbers that I will be able to sue myself for an extraordinary amount of money and finance the film version in which I will play everybody.

What I like doing is writing and recording and much more on the, I guess, the - on that creative level. It's fun interpreting songs and all that, but I wouldn't like it as a living.

Frankly, I mean, sometimes the interpretations I've seen on some of the songs that I've written are a lot more interesting than the input that I put in.

I never really got the book together for the thing, so I had all the songs and the characters. But by the time we'd gotten it on the road and I'd been doing it for 18 months, oh God, I couldn't wait to move on to something else.

The only time that I've adopted characterization again since that point, for my own albums, has been an album called "Outside" that I did with Brian Eno.

In fact, everything I do is about the conceptualizing and realization of a piece of work, whether it's the recording or the performance side.