I'm a phallus in pigtails, and there's blood on my nose, and my tissue is rotting where the rats chew my bones. And my eye sockets empty, see nothing but pain, I keep having this brainstorm about twelve times a day.

I'll ruin everything you are, I'll give you television.

I've come to the realisation that I have absolutely no idea what I'm doing half the time...

I'm not at ease with the word "love."

1961 was when I was really into clothes. I left school at 15 and started copying a bloke who used to go up on the train to London with me; Leslie, I think his name was. He was like, top mod of his own area. He wore Italian jackets with white linen jeans. Boy, was that cool! I mean, that's in style now - it's very much the L.A. look. But he was wearing it then, and it looked supercool.

I think every time I said, "I'm working with Nile [Rodgers]," the reaction was, "Oh, great. I love 'Let's Dance.' " I think that's pretty expected. I'm not sure Nile and I went in consciously not to make "Let's Dance." We just wanted to work together again.

The only time that I've adopted characterization again since that point, for my own albums, has been an album called "Outside" that I did with Brian Eno.