I came to New York to be a fine artist - that was my ambition.

We're on a road to nowhere, come on inside. Takin' that ride to nowhere, we'll take that ride. I'm feelin' okay this mornin', and you know, we're on the road to paradise, here we go, here we go.

The better a singer's voice, the harder it is to believe what they're saying.

It's not music you would use to get a girl into bed. If anything, you're going to frighten her off.

If anything, a lot of electronic music is music that no one listens to at home, hardly. It's really only to be heard when everyone's out enjoying it.

From what I've heard, Paris did a little bit more prep work as far as making bike lanes and all of that stuff. They really did it properly, which New York is getting to little by little.

I've been asking myself: 'Why put together these things - CDs, albums?' The answer I came up with is, well, sometimes it's artistically viable. It's not just a random collection of songs. Sometimes the songs have a common thread, even if it's not obvious or even conscious on the artists' part.