In 1951 I took my first art course. And one day I looked over my shoulder and there was this tall gentleman standing, very well-dressed and groomed, and he asked, "What is your name? I don't know you. What is your major?" I said history. And he looked at my drawing and looked at me and said, "You don't belong over there; you belong here." He was James A. Porter.
David C. DriskellWhen I became an adult, I had absolutely nothing against drinking alcohol. Many of my friends drank. I would often make wine and offer it, but I never sat down and drank it myself. That affect my religious practice.
David C. DriskellI know my grandfather drank occasionally socially, what we call "taking a sip." And my father never touched the bottle. He condemned my grandfather for doing that, and his punishment to his father was when my grandfather came to visit him from Georgia, he would not allow my grandfather to preach in his church.Even though my classmates very often drank alcohol in my presence and they would try and get me to join in, I felt, no, I didn't need that.
David C. DriskellThat emphasis, from my parents, was always, "if you want something different from this" - they didn't say "better than this," because I'm not sure that they knew anything better, "then get an education."
David C. DriskellIn 1951 I took my first art course. And one day I looked over my shoulder and there was this tall gentleman standing, very well-dressed and groomed, and he asked, "What is your name? I don't know you. What is your major?" I said history. And he looked at my drawing and looked at me and said, "You don't belong over there; you belong here." He was James A. Porter.
David C. DriskellMary O'Neal used to say that I was teaching her course in disguise, as she said "in cultural disguise." What she meant was that this really was a very fervent kind of civil rights art course, not altogether art history. It wasn't altogether theory. She called it an action course.
David C. DriskellJames Porter said to me once, when I was talking about painting, he said, well, that's fine, he said, but you have a good mind so you can't just be a painter; you're going to have to help define the field and keep the tradition going. And he meant walking in his footsteps in a certain way.
David C. Driskell