Dreams are illusions, and we can't let go of them because we would be dead.

My father wanted to be an actor, dreamed about being an actor, but he gave it up because my mom and his family told him, "You're never going to make it; it's too tough out there."

Reading [Judd Apatow] book, about his background, I think there's a great similarity. What gives him the fire to work hard? He worked hard, researching the comedians of the time, what touched him about it.

As I did more of that, I realized, "Well, maybe I should do more magic."

The audience likes to be taken on new journeys.

I went to visit Frank Capra, one of my idols, and did a kind of Judd Apatow interview with him. I said, "I'd like the Statue of Liberty to disappear, but I want to do it as a lesson in freedom, how valuable freedom is and what the world would be like without liberty." And Frank Capra looked at me and said, "David, I love your idea, but here's what you're going to do. You're going to try and it's not going to work; it's not going to disappear." And I said, "Mr. Capra, I can't do that."

Science and technology were often used by [the magician of old], even before they came into the marketplace on a mass basis. For example, prior to the moving picture going into theatre, magicians were using the technique of images in motion as illusions in their shows. At that time the process was so new, an audience perceived it as magic. Also in the early stages of holograms magicians would use these images to baffle and mystify their fans. Hence, you always need to stay one step ahead of the technology game to "WOW" the audience.