For me, it's about risk taking, taking things in new directions. Because every single time, no matter how much you learn, you can never say, "Okay, I did the hardest thing I ever did. I'm prepared now. Now it's going to be easy." Of course it's not easy.

There were really a bunch of old, old magic hobbyists at the time, some of them who actually had known [Harry] Houdini. You had to be 14 to go to these meetings, and he snuck me in at 12. It was glorious.

I try to help people realize their dreams by using magic to tell stories that educate, move, and inspire.

Performing my show is something I constantly think about.

All the lawyers and the business stuff is work, but actually creating stuff isn't work. It's good effort. It's hard work. But, it's not work. It doesn't feel like work because the result is very rewarding.

It's really hard to think of one kind of magic as a favorite. I've been really fortunate in that I've been able to perform such a diverse range of things.

You lose your sense of wonder the more you learn, right? When you go to film school and learn about moviemaking, you go to see movies and then only see where the lights are, where the cuts are, watching it from a technical basis, nodding your head, "Oh, that was good." The feeling of surprise, the feeling of being transported is further away.