I'm inventing new principles. The audience has a point of view that no one can predict.

What I've tried to do in my stage magic is to take a trick and give it an emotional hook.

I started as a ventriloquist, a very bad ventriloquist. And people saw my lips moving and it was ridiculous, so finally I decided I'd better change my occupation.

To make magic credible on screen is always very difficult. The story is the most important thing. That is what should win. If sacrifices or compromises are made, it's usually for story. Story in magic is very, very important to me. That's what I've really championed through my career.

Magic and new technology have always walked hand in hand - even back in the days of Robert Houdin.

Dreams are illusions, and we can't let go of them because we would be dead.

I fell in love with magic acts and bridged into that.