I was a captive and a slave. I loved Dora Spenlow to distraction! She was more than human to me. She was a Fairy, a Sylph, I dont know what she was--anything that no one ever saw, and everything that everybody ever wanted.

Watching people react, watching people be inspired, be taken on a journey, forgetting their problems, looking ahead in their own lives to doing impossible things. That's kind of what drives me, gives me a sense of focus.

I have a bunch of islands in the Bahamas that we made into this amazing, magical place. And we have these birds; they're trained to do certain things on the island, which is awesome. These toucans had a baby toucan, and the baby toucan, every hour that you'd look at this toucan, he would change.

There was a place in New York called Tannen's Magic. It still exists. But back in the day, it was really fantastic. You'd go into the old Wurlitzer Building, take the elevator to the 13th floor, which was labeled 14, because of bad luck, the elevator would open, and you'd be in heaven. It was all of these guys doing magic stuff with props. It's kind of gone now, that experience, the brick-and-mortar magic shop, but you really felt like you'd landed in the most amazing place in the world.

Demonic figures and occult themes have disappeared from modern magic.

I'm a magician, not a singer.

The audience likes to be taken on new journeys.