Between nature and music there seems to be an elective affinity: they fit together, and when they do experiences of an ineffable kind are generated.

I think that Asian versions of 'ineffabilism' have an advantage over the best-known Western ones, like Schopenhauer's. They are free from the dualistic image of the world of experience as the joint product of mind and reality.

Nietzsche's 'perspectivalism' was expressly directed against the 'laughable juxtaposition of "man and world"'. But 'absolutist' accounts, too, typically try to demonstrate that human beings are integral components of the world these accounts articulate - that, for example, we are simply material bodies subject to the same natural processes as everything else.

Gardening is an excellent example of a practice to which, as Alasdair MacIntyre puts it, certain virtues are 'internal'. Good gardening requires a certain goodness on the part of the gardener: care, humility, patience, and respect, for example.

I think it's true that for existentialist thinkers, appreciation of what we are - free, makers of meaning, 'issues' for ourselves, and so on - is at the same time a recognition of how we should try to live.

The aim of dis-incumbence is a hubristic one, for it requires confidence in the ability of men and women to live in the belief that nothing they do can, in the end, be justified by anything. That's a belief that it is easy to proclaim in seminar rooms or pubs, but not one that people could actually live with.

In the doctrine of the world and humankind as 'will to power and nothing else', Heidegger identified not an antidote to nihilism, but the completion of it. For what can be more destructive of truth and value than the doctrine that these are simply the impositions on the world of human exercises of power?