If you interview people or friends who work with me, they would say I'm private or internal or don't emote a lot. Yet I do it every day for 10 million people. I just don't do it for the 30 people I'm in the room with.

One of the most fundamental questions people have about defense attorneys is, 'How can you do that? How can you go to bat everyday for a person that you may not know is guilty but you have a pretty good idea that he's not so innocent?' It's a question that defense attorneys answer for themselves by not addressing.

When I really have to push and grope and scratch and claw to make a story work, that's a telltale sign that maybe something conceptually isn't right.

Chemistry is not anything an executive producer or writer can orchestrate or plan; you just hope for it.

I don't think it's that strange that a show has sort of a bumpy beginning. It's just part and parcel of the process.

The more lawyers there are, the more people are out there to encourage others not to go to law school.

When you create a show, and create characters, these people are like children to you.