Chemistry is not anything an executive producer or writer can orchestrate or plan; you just hope for it.

One of the most fundamental questions people have about defense attorneys is, 'How can you do that? How can you go to bat everyday for a person that you may not know is guilty but you have a pretty good idea that he's not so innocent?' It's a question that defense attorneys answer for themselves by not addressing.

I never thought of myself as a writer.

The way I personally work is I like to write what I know, what I feel, and also where I am.

You've got to honor your relationship with your audience - that they sit down because they want to be entertained. And that doesn't mean you can't provoke them and antagonize them and challenge them in the course of the entertainment as long as you keep the entertainment part of the equation alive.

I gravitate toward the law, I think, certainly more times than not, because it's our best mechanism for legislating human behavior, and morality, and ethics.

The ideal time for writing a [television] script is four days, though sometimes it has to be two or three days depending on the deadline. If it's two days, sometimes there are things I see that don't work as well. If I have two weeks, the scripts get kind of flabby and lack the adrenaline that a sense of deadline fills you with.