Well, the movie isn't bad. For a while, I even told myself I liked it, even as it missed one mark after another. But in the end, it's shapeless and blandly apolitical, apart from its watered-down feminism. You see, Fey's Kim Baker - changed from Barker - transforms herself from a neophyte reporter, condescended to by male war correspondents, soldiers and Afghan officials, into a hard-charging political animal who speaks the language fluently and parties as hard as men. That's about as edgy as a sitcom.
David EdelsteinAlong with my peers, I gripe about the increasing number of superhero films, and I'm sad that so many critics so uncritically use words like franchise, which should be reserved for your local Burger King.
David EdelsteinYou can feel righteous fury in every frame of The Magdalene Sisters. The movie is both a masterpiece and a holy hell: Watching it, you feel you're being punished for a crime you didn't commit. Which puts you, come to think of it, in the same frame of mind as those poor Magdalene girls.
David EdelsteinIt's easy to say "This year in art sucked." After all, about 85 percent of all shows of contemporary art are bad. But 85 percent of all art made in the Renaissance was bad.
David EdelsteinThe rise of video on demand will make it possible for small movies to earn back costs via $9.95 24-hour rentals and for people in cities without independent cinemas to see the kind of movies they never have before. That's great - but on the other hand, that's TV.
David Edelstein