What you learn from that first, and I don't call it 'trial by fire,' I call it 'baptism by fire,' is that you are going to have to take all of the responsibility, because basically when it gets right down to it, you are going to get all of the blame, so you might as well have made all of the decisions that led to people either liking it or disliking it. There's nothing worse than hearing somebody say 'Oh, you made that movie? I thought that movie sucked,' and you have to agree with them, you know?

It's based not only on what it played like in the theater, but it's also knowing that certain things play differently in a home theater environment. You have different expectations when you're sitting with 700 people than when you're sitting with your friends or family. It's just a different world.

Perfume is pretty good because nobody has to hold the product by their face or use it.

I thought that the behavioral and some of the profiling stuff was interesting. The thing that I was most interested in, and the thing that we were really adament about, was let's get these guys who were there on tape, or in some kind of way, telling what happened. No one has really talked to them all.

A movie is made for an audience and a film is made for both the audience and the film-makers. I think that The Game is a movie and I think Fight Club's a film. I think that Fight Club is more than the sum of its parts, whereas Panic Room is the sum of its parts. I didn't look at Panic Room and think, "Wow, this is gonna set the world on fire". These are footnote movies, guilty pleasure movies. Thrillers. Woman-trapped-in-a-house movies. They're not particularly important.

You have a responsibility for the way you make the audience feel, and I want them to feel uncomfortable.

My idea of professionalism is probably a lot of people's idea of obsessive.