Filmmaking isn’t if you can just strap on a camera onto an actor, and steadicam, and point it at their face, and follow them through the movie, that is not what moviemaking is, that is not what it’s about. It’s not just about getting a performance. It’s also about the psychology of the cinematic moment, and the psychology of the presentation of that, of that window.

People will say, 'There are a million ways to shoot a scene,' but I don't think so. I think there are two, maybe. And the other one is wrong.

Everything seems really simple on paper until you take a camera out of the box.

How do you shoot a 150-day movie? You shoot it one day at a time.

People always ask why I don't make independent movies. I do make independent movies - I just make them at Sony and Paramount.

I do agree you can't just make movies three hours long for no apparent reason. For a romantic comedy to be three hours long, that's longer than most marriages.

You have the power to pause stuff and you have the power to go to the bathroom. You can do whatever you want in your own home. It's a much more relaxed thing. It's more like a book, it seems to me. That's kind of the way I watch movies.