Even if you are a pianist, your concerto repertoire is very limited compared to what your chamber repertoire would be if you were a chamber music pianist.

Being an artist and a musician, I have witnessed the previous generation taking the art form, not as a way of making a living, but as a belief, an almost maniacal, sometimes insane devotion and commitment to communication.

I think one of the most wonderful things we can do as performers is to remind audiences that they can still relate to the emotions and feelings, as though the music had been written yesterday.

The realm of classical music is so vast - not only in terms of style but of era, age and the purposes for which it was composed - it is an enormous art form.

I think you can tell a lot from the lives of many of today's great soloists. Their participation and gravitation towards chamber music is ever increasing.

Beginning in the nineteenth century, with performers like Franz Liszt, were musicians who were able to excite an audience and communicate on a whole new level.

A lot of my musical education was done simply by listening. If you really want to excel on your instrument, it's almost impossible to not develop and analyze what you see and hear and to incorporate all of it into your own playing.