There's a kind of Ah-ha! Somebody at least for a moment feels about something or sees something the way that I do. It doesn't happen all the time. It's these brief flashes or flames, but I get that sometimes. I feel unalone—intellectually, emotionally, spiritually. I feel human and unalone and that I'm in a deep, significant conversation with another consciousness in fiction and poetry in a way that I don't with other art.

Hal Incandenza has an almost obsessive dislike for deLint, whom he tells Mario he sometimes cannot quite believe is even real, and tries to get to the side of, to see whether deLint has a true z coordinate or is just a cutout or projection.

What the really great artists do is they're entirely themselves. They're entirely themselves. They've got their own vision, they have their own way of fracturing reality, and if it's authentic and true, you will feel it in your nerve endings.

It feels intensely twisted to see reigning industry queen Jenna Jameson chilling out at the Vivid booth in Jordaches and a latex bustier and to know already that she has a tattoo of a sundered valentine with the tagline Heart Breaker on her right buttock and a tiny hairless ole just left of her anus.

Here is how to handle being a feral prodigy.

Acceptance is usually more a matter of fatigue than anything else.

The real irony is that the view of infinity as some forbidden zone or road to insanity - which view was very old and powerful and haunted math for 2000+ years - is precisely what Cantor's own work overturned. Saying that infinity drove Cantor mad is sort of like mourning St. George's loss to the dragon: it's not only wrong but insulting.