I was never the sort of child who believed in "monsters under the bed" or vampires, or who needed a night-light in his bedroom; on the contrary, my father...once laughingly told my mother that he thought I might suffer from a type of benign psychosis called "antiparanoia," in which I seemed to believe that I was the object of an intricate universal conspiracy to make me so happy I could hardly stand it.

I wish you way more than luck.

And make no mistake: irony tyrannizes us. The reason why our pervasive cultural irony is at once so powerful and so unsatisfying is that an ironist is impossible to pin down. All U.S. irony is based on an implicit "I don’t really mean what I’m saying." So what does irony as a cultural norm mean to say? That it’s impossible to mean what you say? That maybe it’s too bad it’s impossible, but wake up and smell the coffee already? Most likely, I think, today’s irony ends up saying: "How totally banal of you to ask what I really mean.

What if sometimes there is no choice about what to love? What if the temple comes to Mohammed? What if you just love? without deciding? You just do: you see her and in that instant are lost to sober account-keeping and cannot choose but to love?

No wonder we cannot appreciate the really central Kafka joke: that the horrific struggle to establish a human self results in a self whose humanity is inseparable from the horrific struggle. That our endless and impossible journey toward home is in fact our home.

You have to understand, writing a novel gets very weird and invisible-friend-from-childhood-ish. Then you kill that thing, which was never really alive except in your imagination, and you're supposed to go buy groceries and talk to people at parties and stuff.

The assumption that you everyone else is like you. That you are the world. The disease of consumer capitalism. The complacent solipsism.