The depressed person was in terrible and unceasing pain, and the impossibility of sharing or articulating this pain was itself a component of the pain and a contributing factor in its essential horror.

If you're automatically sure that you know what reality is and who and what is really important - if you want to operate on your default-setting - then you, like me, will not consider possibilities that aren't pointless and annoying.

You have to understand, writing a novel gets very weird and invisible-friend-from-childhood-ish. Then you kill that thing, which was never really alive except in your imagination, and you're supposed to go buy groceries and talk to people at parties and stuff.

Like so many other nerdy, disaffected young people of that time, I dreamed of becoming an 'artist', i.e., somebody whose adult job was original and creative instead of tedious and dronelike.

No wonder we cannot appreciate the really central Kafka joke: that the horrific struggle to establish a human self results in a self whose humanity is inseparable from the horrific struggle. That our endless and impossible journey toward home is in fact our home.

I'm screaming for help and everybody's acting as if I'm singing Ethel Merman covers.

My chest bumps like a dryer with shoes in it.