I haven't watched it [the film 'Pink Floyd at Pompeii'] in years. I find it excruciating.

I just play intuitively and work the same way in the studio. I don't have any magical effects or anything that helps me to get my particular sound.

I remember Adrian [Maben, director] had lots of problems with red tape and dealing with stuff. I think we lost two or three days. Maybe those were the days we had to walk around the summit of Vesuvius, and we went around to the sulfur pits where the ground is bubbling. It's near here. It's fantastic.

I'm English and I am British. I don't know if I feel part of a music scene. Musically, I have as many feelings and affinity with Americans or Canadians, or all sorts of people as I do with English people.

I don't have a very disciplined approach to practicing or anything, but I do tend to have a guitar around most of the time, which I strum on most of the day.

Subconsciously you just pick up things into your sort of musical vocabulary and use them.

I haven't felt compelled to go back in the studio and do anything serious. I have a little sort of home studio thing which I potter about in occasionally.