I like watching sports, you know, all sorts of stuff.

My technique is laughable at times. I have developed a style of my own, I suppose, which creeps around. I don't have to have too much technique for it. I've developed the parts of my technique that are useful to me. I'll never be a very fast guitar player. I don't really know what to say about my style. There's always a melodic intent in there.

We mixed the sounds ourselves. If they were going to put the sound back onto our film [Pink Floyd: Live at Pompeii.], we wanted to mix it ourselves.

I haven't watched it [the film 'Pink Floyd at Pompeii'] in years. I find it excruciating.

I remember Adrian [Maben, director] had lots of problems with red tape and dealing with stuff. I think we lost two or three days. Maybe those were the days we had to walk around the summit of Vesuvius, and we went around to the sulfur pits where the ground is bubbling. It's near here. It's fantastic.

We already had all the songs, and it turns out all you have to do is burn them to some CDs, so why not?

Obviously record companies tend to be following what the scene is rather than making the scene.