It's not whether God plays dice; it's how God plays dice.

Obviously record companies tend to be following what the scene is rather than making the scene.

If you are in a band or in any situation with other people there are obviously brilliant aspects to it, but there are also things that you start finding yourself tied to.

We mixed the sounds ourselves. If they were going to put the sound back onto our film [Pink Floyd: Live at Pompeii.], we wanted to mix it ourselves.

I think I'm still trying to be experimental on everything I ever do, but it's not as obviously way-out and experimental as what we were.

I don't, consciously anyways, sort of listen to things with the idea of getting something from them that I can use.

Everyone goes to rotten schools when they're kids, don't they?